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“Imagine you only had one sound to compose from? How much could you tweak this sound to become a living, breathing composition with a variety of different textures? Well… I decided to spend a few hours last night by using a single “clap” sound as my source material. Everything you are about to hear is derived from this one sound and manipulated through editing, filtering and a variety of FX including delays, glitching, vocoders, distortion, time stretching, time freezing and so forth.” - Troels Folmann
